Utah & Salt Lake: Indio Outio

Day One (08.23.09) Through Montana and Idaho, by the time we reached the Utah border it was late into the evening. By that point Dave and I were fairly quiet, enjoying music and making predictions about what the landscape looked like that we couldn't see. I remember Dave selecting a lot of R.E.M. tracks.

All of the population in Utah is practically located in the corridor surrounding Great Salt Lake, which gives the illusion early on that you must be close to Salt Lake City (if you're not used to the drive). In reality, by the time we reached Ogden, we were still a ways off from our destination, and with midnight rolling around we were feeling beat.

Bursts of rain continued to hit us randomly and then stop, on and off several times throughout the day. I remember this becoming more treacherous as we neared Salt Lake. The dirt on our windshield combined with the lights of oncoming traffic and buildings made for one blurry mess. In any case, we made it to Salt Lake City, spotting the giant temple from the interstate and looping around the international airport several times in our effort to find our hotel. By the time my head hit my pillow I was out.

Day Two (08.24.09) We awoke the next day intent on exploring downtown Salt Lake before heading south to Las Vegas. We parked kitty-corner to Temple Square and took a casual walk around the complex, spending extra time to take pictures of ourselves mimicking the statues. If there is one thing I could say about my impression of Salt Lake, it's that the place was immaculately clean and well landscaped.

We followed the Salt Lake Temple with a trip up to the State Capital Building, taking more random photos with statues and pictures of ourselves sitting on the steps. 'I'm Just a Bill' from Schoolhouse Rock was sung (by me anyway, haha).

The entire time I was trying to contain my enthusiasm, not because of any single thing we saw, but because I knew that this was just the beginning of our road trip. We could have easily spent several days exploring Utah, but instead the brief stop actually helped to justify the distance we were covering for the sake of the things we were going to be able to see and experience.




It was upon leaving Salt Lake City that the clouds from the day before finally started to break up. Heading south to Vegas the sun suddenly appeared, giving everything a golden colour and revealing the incredible transformation from the green and grey of Montana. It was as we passed Provo that afternoon I remember quipping, "this is where the road trip really begins".

Montana: Indio Outio

Day One (08.23.09) Crossing the border from Alberta into Montana wasn't that big of a deal. But as we sped to reach Salt Lake City before 1am we did get to see the first evolution of the landscape. Over several hours the prairies started to disappear and rolling foothills replaced them.

In contrast to the Alberta Rockies around Banff, I was surprised to realize that we had actually reached the mountains at first. That's not to say they weren't beautiful, but with the gradual ascent it was more like driving around peaks than being dwarfed by towering monoliths. Mind you, this was just the impression from the interstate.

Dave and I cruised south listening to everything from the Top 40 to a crazy Christian radio show where the host had the guts to go on and on about the supposed end of the world in 2011. Everyone was really friendly when we stopped for breakfast food in the afternoon in Great Falls, but stereotypes about how red of red state Montana was were easy to spot. It's kind of exactly what we had hoped for to keep the drive interesting. Montana was awesome.

Nearly running out of gas once (thanks for keeping an eye on that Dave) Montana was an otherwise fairly relaxing (if not relatively familiar) way to start off an ambitious road trip. The first day of the week long excursion had been spent, amounting to over 12 hours in the car.

Introduction: Indio Outio

It's been months since my friend Dave and I found ourselves in Southern California lounging in the desert, which is why it's great to finally have all this footage edited and ready to share. The wait and process of revisiting this footage after a few months break makes this feel brand new to me also. There's not much to say about the introduction because I explain everything within the video. For all of the edits that follow I'll explain a bit more of the back story, how we came to be in each spot, and my reactions to the destinations within these blog posts. My goal is to paint a picture of the journey as this wasn't about taking a vacation, it was about experiences. So, care to go on a video road trip? This is Indio Outio.

Indio Outio: Original Opening

The evolution of Indio Outio is something that I've enjoyed sharing since the trip took place in the late summer of 2009. I never really knew how it would all turn out as my plans for editing it continued to change over the months, but part of that was because of how much great footage I was able to capture. Better to have a lot of options than too few I suppose.

This intro was initially cut in September of 2009 and helped to establish the preview trailer that I debuted at the time (hence the same opening cuts, just played in reverse). The project was going to take on more of a documentary vibe, but the challenge to screen it or successfully upload the full project the way I wanted kept things in limbo.

My decision to share a series of edits as one loose project (Indio Outio) ultimately won over my personal documentary concept, but that's not to say that the edits aren't still personal. I did cut shots of my buddy Dave and I in where available, and all the music I selected was either stuff we listened to on the trip or that I had been listening to leading up to it. In any case, the individual edits for the various destinations replaced the need for a longer set of titles, but just to share a bit of the process I thought I'd still share this portion that had been sitting idle for so long. Enjoy!

Indio Outio Project is Days Away

To say that my Indio Outio Project is a work in progress just doesn't quite sum things up at this point. It's now been half a year since that memorable road trip took place, and with exception to creating an elaborate coffee table book with my pictures, I haven't really done much with the hours of footage I shot up until now - that doesn't mean I wasn't trying though.

The biggest challenge was deciding on how I wanted to present the finished project, which ultimately influenced the kind of video(s) I was going to make. Originally, I thought I'd be leaning towards more of a personal-doc, similar to the lengthy Rushmore project I made in 2007. However, and if you click over to check out Rushmore, you'll see I ended up cutting that project down into select clips so that it was easier to share online. This reminded me of a legitimate issue with online screenings and had me thinking that even if I did make an elaborate 20 to 30 minute video, who, besides close friends, would actually stick around to watch it?

It was this problem particularly that had me hung up and re-editing portions of my footage several times from September through December. Should the video be just for me or do I want to share it? Well, I want to share it.

As several months had passed from the time of the trip it only became harder to address the footage and come up with a unifying theme - another big issue because of the variety of locales my friend Dave and I visited over a single week.

So here's where I'm at now, and I'm happy to report that the Indio Outio project is finally nearing completion after a renewed view that simplicity was definitely the way to go. I've cut together montage-style edits of each of the major locales or portions of the road trip that I shot from Alberta to California in August 2009. What I intend to do is release each of these edits as individual posts before finally summing up the entire project with a featured entry about the complete experience.


This scrapbook style is not only ideal for online viewing - say someone just wants to see a video of Salvation Mountain or Newport Beach - but it also gives me the chance to frame each section of the trip and put the various experiences into context.

A lenghtier project would've required a lot more energy on the viewers part, and let's be honest, most people just want a quick clip on YouTube. It's also the reason that I chose music that was relevant to what we listened to on the trip to cut my clips to as opposed to narrating everything (again, for the sake of keeping the edits versatile for the average viewer). Plus, a project like this is more about showcasing my editing style anyway.

My individual blog posts will help develop more of a back story, which will provide further insight for those who are interested. It's also a way to add that journal/personal-doc element that I originally wanted to incorporate.

I've also created a new 'Indio Outio Project' tab on this blog so you can check out all the updates (along with the complete edits as they appear) to unify both the trip itself and the experience and reasoning behind the process of making it happen (or not happen as six months have flown by).

To kick things off I thought I'd share a part of the original intro that I made for the Indio Outio Project back in September 2009. This clip is also where the first preview for the project came from. I'm sharing this now because my intent is to have a brand new narrated introduction that I can use to preface all the varied edits I'll be uploading and use it as a header for a video playlist.

Check back soon as the edits start to appear, and for now, enjoy this glimpse of how the project originally started out.

Editing Luke in 2009

With the same checklist of ambitions weighing on my mind from years previous, the end of 2009 naturally leaves me critical about what I've done to advance myself over these last twelve months. It has been another great year, although not without its share of sacrifices to shed more of that film school debt and to prepare for a departure to a bigger city. 

That said, I have to have an optimistic outlook for 2010 - for the new decade entirely - because the change on the calendar represents a clear mark between the high school, university, young adult prep of the 00's and the young adult life, full independence, and creative career pursuit and fulfilment I'm expecting to experience in the '10s or teens (whatever we call this new decade).

As the clock rolls over find yourself another excuse to create something, share something, and inspire someone - if the new year reminds us of anything, it's that our time is what we make of it. Here are a few of the things that made my 2009 memorable:

January 2009 - Energized with the start of 2009 I began working on a portfolio preview to summarize some of my experiences. This clip was revised several times throughout the year, but the goal of showcasing my potential remained the focus.



January 14, 2009 - After finding the footage from one of my old film school projects I created a new short, Quirks (or: the Blurbs Behind a Lost Film School Project) as a stereotypical look/flashback regarding the creation of a student movie.

January 30, 2009 - Weeks of work with Stream Media resulted in one of the most ambitious editing projects that I'd cut for them - a four part series of promotional videos for the University of British Columbia, created using a range of impressive footage from a variety of contributors.

February 2009 - In an effort to complete the portfolio aspect of my blog, February saw a number of my older projects uploaded, receive official posts, and worked into my evolving videography layout - this trend continued throughout the year and subsequently inspired more creative ways to share my work with new video sites, links with similar projects, and the development of a new portfolio site by the end of 2009.

March 31, 2009 - On a return trip to Regina for my 25th birthday (also the city where I went to University) I took the opportunity to revisit a bunch of the locations that I had shot previous projects and reflect on what my departure from film school nearly a year earlier meant.

April 12, 2009 - Upon winning the weekly vote and entry into the Yobi.tv Filmmaking contest back in December 2008, my short The Gizmo Tree entered the semi-finals for the first voting round of the competition. By mid-May I had made it from the Top 30 to the Top 10, but was eliminated just shy of the Final 5. While the loss was disappointing, my involvement in the contest resulted in thousands of additional views to my blog and a surge of over 60,000 video views for the projects I had uploaded. Here is one of the posts and the promotional videos I shared during the run - click here.

May 6, 2009 - Using footage I had shot in 2008 I cut together a new experimental short titled, I Was Dead.

May 26, 2009 - My new short along with the promotion on my blog put me in touch with The Reel Skinny (a podcast and movie blog). Featuring up and coming independent filmmakers, I was interviewed by Patrick for his Off Screen podcast series - click here.

May 31, 2009 - Editing Luke celebrated 2 years and new promotional edits followed!

June 5, 2009 - In a surprise sequel to my 2008 short, Siblings, my sister and I had fun creating an impromptu followup - watch Siblings 2 (best to see part 1 first to get the punchline of part 2).



June 9, 2009 - I started a brand new job for a major website retailer as a copywriter and photographer. My editing work with Stream Media continued on a contract basis.

June 21, 2009 - After the conclusion of season 1 of the Yobi Film contest, I entered my short The Geology Student for season 2 and was voted into the semi-finals once again as a weekly winner - click here.

August 2, 2009 - My video views surpassed 250,000 - a quarter million!

August 24, 2009 - My friend Dave and I left on an incredible road trip to Indio, California from Alberta. In a single week we found ourselves walking around Salt Lake City, watching Beatles Love in Vegas, eating at the end of the Newport Pier by the Pacific, sitting by the pool in Indio, up a mountain in Palm Springs, and exploring the stretches of desert out around the Salton Sea. The project, due to how much footage was shot and my indecisiveness in editing it, has yet to be completed - but I assure you it will be.  I also put together a photo book of the experience. 



October 11, 2009 - I cut together a simple Editor Profile to highlight a few of my projects.

November 2009 - With increased pressure from 2 jobs, additional freelance work, and a new interest in refining my online presence, several new columns were created to make coming up with ideas easier. Intended to increase readership and encourage involvement, I've continued to search out others who are interested in contributing content to find interest on Editing Luke. This was also when the idea to establish a specific portfolio site came about, with Editing Luke becoming the blog element of that new venture.

December 12, 2009 - My brand new holiday short, We Two Kings debuted and attracted a lot of positive feedback (online views from Yobi.tv alone surpassed 70,000).

December 15, 2009 - Editing Luke is revamped and streamlined with a fresh new design and a simplified layout to make the content easier to access. With the new portfolio site nearing completion and elements of that design ready to be integrated into this blog, this month has really marked the start of an entirely new approach to how I'll promote my work online - click here.

2009 Overview
My total blog views grew from 29000 in January to over 68000 by December.
My total video views grew from 118000 in January to over 330000 by December.
Traffic both to my blog and for my videos in 2009 was greater than that of 2007 and 2008 combined.

This year has really allowed for some major changes in the near future. With the launch of not only a new site, but a new online hub for all my work, and a move later in 2010 thanks to the money I've been able to save, it feels like big things are on the horizon. That 'student transition' I've mentioned so many times since this blog was established is finally fading and I can see the fresh start and next step up on the horizon.

Put simply, 2010 is going to be exciting!

Here is one of my blog promos I made earlier this year - although it should now read 'over 400 blog posts' and over '300000 video views'. Things are sure changing fast.

We Two Kings (2009)

With the holiday season upon us, my latest short, We Two Kings, marks the first time in several years that I've really gone out of my way to make a Christmas special. It's also the first time since Buick to the Future: Episode 4 (over a year and a half ago) that my friend Tyler and I have worked together on a project. Milestones aside though, what makes this short so memorable and exciting in my mind is how quickly the idea, shoot, and finished movie came together.

Tyler had talked about coming to Medicine Hat from Regina at the end of November for a visit and I suppose that's what sparked the idea for a Christmas short. I started writing out a rough script and thinking about locations which eventually had me focused on a simple comedic spin on the 'We Three Kings' Christmas carol. 

As if on cue, the day that Tyler arrived we got snow. That Saturday morning you couldn't have asked for a better Christmas setting. The temperature was cool, but not cold, the snow was untouched and sticking to the trees, and the wind was almost non-existent. Armed with our winter gear and our hastily constructed gold crowns, we headed down to Police Point, a giant natural park on the outskirts of the city to film.

The long and short of the story is that things continued without a hitch. Just as we were losing sunlight, we shot our final scenes. Our crowns held up as did our feet after an entire afternoon of walking around in brush and snow. With a few curious people looking on from their walks from time to time, the short came together relatively quickly, and surprisingly exactly how I'd written it.

 
As part of promoting this new project I cut together a teaser trailer. Thanks to my account on YobiFilm that trailer (at the time of this post) has already been viewed over 37,000 times on that site. To say that I've been excited about sharing this project is an understatement. I think it's turned out really well and I hope it helps to get you in the Christmas spirit.  

Also, I'd like to thank my friend Tyler for helping me out once again in not only bringing my rough idea to life, but for getting just as energized about the project and injecting his own energy into the mix. I think the fun we had making this shows, and when you have no budget, enthusiasm is the best currency. So, without further delay, enjoy a short that we're sure to talk about for many Christmas' to come.  

We Two Kings (2009)  
We Two Kings - YouTube Version

We Two Kings Teaser

The holidays are fast approaching and for the first time in years I'm going to have an all new Christmas special to debut. Come December 12, 2009 We Two Kings, an all new comedy short that I shot with my friend Tyler, will premiere right here on Editing Luke. For the time being you can check out the new posters and the teaser trailer below. It's going to be a lot of fun to share this one! 

Luke Fandrich: Editor Profile

My editor profile is just one of several different video mash-ups that I've made to showcase my different styles, edits, and projects over the last year. With a body of work that is becoming increasingly diverse, both personally and professionally, this is the next logical step in the evolution of some of my edits (not to mention a great way to create variations for different sites). As much as I want to focus on certain skill sets, I like how these previews give more immediate support to my independent status by acting as proof of my ambition, history, and drive. It's also an easy way to reflect my pride in my work. Plus, as an editor, I find it's fun just to piece something fresh together when you find yourself looking over your past projects. Enjoy!

Portfolio Previews (2009)

While the first half of 2009 proved to be a slow one for my personal productions, there was a lot going on behind the scenes to improve what I'd already created. Editing Luke, for instance, underwent a lot of revision. The majority of Videography posts have been updated or established to include the story, photos or posters, the movie, previews, and back links to relating posts to provide succinct and official entries for some of my larger projects. While it's meant fewer new videos, overall it improves the efficiency and purpose of this online journal.

This brings me to the portfolio and blog previews that I created earlier this year to highlight my work.

My portfolio preview was created as an intro to my production DVD to show to potential employers and festivals. The video highlights some of my festival credits and notable projects from recent years. It's undergone several modifications to include more audio highlights and to display a larger range of edits. There's really not much else to say about it as the preview essentially does all the bragging itself.

Portfolio Preview Luke Fandrich (January 2009)
 
It is worth noting that my approach is undeniably individual though. While some filmmakers may have grand projects to tout, I instead have a range of personal accolades that reflect my individual drive and creative branding. I've expressed my viewpoint by approaching animation, avant-garde, travelogs, music videos, and narrative in a way that reflects my personal growth as a movie maker. I think by making myself the focus, I'm standing on my achievements instead of putting them above me. 

My blog preview (mixed with two different audio tracks) was an edit created to highlight 2 years of Editing Luke. They're a mix of promotion and pride for all that's been accomplished so far thanks to all the viewers and readers who have helped shape this experience for me. In a professional sense, I think these edits have also featured my blog as an up and coming space to check out. While reflecting on the amount of work that's already been made, I think my blog previews are most successful at suggesting that my personal motivation and creative passion are only becoming more refined and focused.

It's obvious that these previews and personal reels are going to evolve and grow as this experience changes. In just a single year there's always so many new points of interest. As proof you can view the first preview I ever made, I'm Luke I'm Fandrix from 2008. There's still a lot to work towards, and with any luck it's only up from here. 

2 Years of Editing Luke - MIX A (May 2009)
2 Years of Editing Luke - MIX B (May 2009) Edits and footage by Luke Fandrich.

Siblings 2 (2009)

It was a comedy that more than any other short I had made, seemed the least likely to ever have a sequel. Strange how it was that single limitation that sparked the idea for the follow up.

You'll have to watch Siblings, the beginning of the story if you will, to fully appreciate the departure that part 2 takes - this won't really make sense otherwise.

As you can imagine, this was a fun shoot. My sister seemed to enjoy the new twist as much as I did, even if she was the one getting the bumps and scratches in the process. Without giving anything away, I'll just say there were numerous times she fell out of character - for obvious reason (see the outtakes below).

You can see a big difference in the look between part 1 and part 2. Things were intentionally a bit more drab this time, not nearly as green as in the prime weeks of summer, but we did go through the effort of finding the same clothes we wore in the first video. Not quite as easy as you might think as the original Siblings was shot close to a year ago. It was mostly just a matter of digging out my old red hat again.

Thematically, this follow up plays off even more like a music video than the original. The punchline this time is the fact that there's even a sequel to be seen. It looks good though, and we're still not taking ourselves too seriously. Enjoy the sequel we never thought we'd make, Siblings 2!

Headphones (2009)

Created in the same technical guise as my earlier split screen experiments, Headphones is a brand new self-portrait of sorts. This is but one more short in a series of edits that is meant to reflect a process, a personal awareness, and a deliberate approach to editing as art.

I've said it many times before, but the idea behind shorts like this isn't about masked themes, but about appreciating the digital medium and editing technique by taking a forced look. Just as a painter might fill a canvas for the tactile experience of seeing the streaks and runs in drying colours of paint, these editing experiments serve a similar purpose for further nurturing my personal appreciation for the technical execution of editing. Working with seemingly mundane raw footage only emphasizes this, and putting myself in the mix puts a face to the technique.

As I find myself more inspired to shoot, more of these edits always pop up and I feel that it's for the sake of variety that I share them. While individually, Headphones doesn't say much, it does add to the diversity and overall arch of my portfolio. Which, for the sake of this blog and myself I think it's essential to showcase editing not simply as a career or task, but as a powerful way to express creativity.

I Was Dead (2009)

It's just what mainstream audiences were crying out for, another one of my art shorts! I'm joking of course. As pretentious as the title may sound, I'm not really making any sweeping claims or revelations about my own mortality other than the fact that, like everyone else, I will eventually die.

My death, as you likely assumed was the focus in I Was Dead, felt like a captivating subject for a new art short mainly because of how pointless it seems for me to think about it right now. Being so enamored with getting my life started is far more relevant, and clearly more uplifting then worrying about checking out.

Still, I think we all wonder how we'll be viewed when we're gone, and I became intrigued with the idea of what someone might say if they were visiting my tombstone. Will anyone even visit? What day of the week will I die on? Would this blog post seem more meaningful somehow? The concept of the short was based on the illusion of visiting my own grave site - trying to imagine how I'd reflect on my life and comprehend not existing anymore if it were actually possible to be there after I'd passed.

Last year I had shot a bunch of random footage on my little Samsung cam in the hopes of using some of it for my split screen experiments. Until now nothing ever came of this graveyard footage, but I remembered how beautiful some of it was and thought it would make a nice edit. The 'Fandrich' tombstone is my Grandpas, but seriously thinking of it as my own felt incredibly unnerving.

I Was Dead is an eerie but poignant personal edit, that in my view, presents a stark view of individual mortality and our craving to understand it. We'll all be gone at some point, but to what degree does that mean the end? How will you be remembered?

Bellagio Fountain Remix

Somewhere between a series of animated ink blots or gushing oil geysers is where I'd categorize this latest edit. I had started out with the idea of making a short travel clip of the fountains at the Bellagio that I shot while on vacation in Las Vegas last November. The further I got into it the more I felt like switching things up.

If you want to experience what the fountains are really like you can go to Vegas yourself or watch one of the thousands of videos already uploaded on YouTube. I opted for some inverting, overlapping, and rhythmic cutting. It was fun playing with the patterns and motion in this short, which made experimenting easy - and then creating several variations after mixing it with the MGMT Kids Soulwax Nite Remix. Parts of my footage were filmed from the top of the Eiffel Tower at the Paris Hotel, and others at various points out front of the Bellagio itself. Yes, it's different, maybe even a little weird and/or pointless, but to me it sure feels energetic and cool.

Quirks (2009)

This new short is part documentary, part home video, part experimental, and what I consider to be a somewhat kitschy stereotypical depiction of what every film student experiences on one of their first film shoots. 

The footage, as you might have guessed, comes from an old film school project that I shot with classmates Cam Koroluk and Thomas Gallagher in 2004, originally titled The Brief History of Metric Time.

Brief History was the result of a Film 300 assignment in which every student in class wrote a script, and then two other students in class would act as either the director or producer for that project. This system worked on rotation so that every student got to experience the various roles played in the production process. 

For this project I was the director, hence, I took it upon myself to resurrect the footage after 4 years and cut it into something I actually felt was worth sharing. 

It seems to be a common occurance in all creative ventures when groups are involved that comprimises have to be made. I'm refering here to the film class, which was a very diverse and opinionated group. With the scripts randomly distributed, I didn't have much of a choice in terms of plot, and didn't really have a lot of time to rework the concept before shooting. It was always what I hated about shooting on film compared to shooting digital, there was so much equipment to be booked, and so much more to do just to get your exposures and audio right. 

On top of that, everyone always had their own projects on the go at the same time, so there wasn't an abundance of people to draw on for crew. Even in the best of circumstances, it was just a complicated process to pull everything together in these classes. 

The original film, focused on a man who invented a new system of time based on the metric system. The dialogue was divided by pages of nonsensical mathematical equations, and aside from that, there wasn't actually much to go on. The student who wrote our script was the type that if you were casting roles for stereotypical arts students, he'd fit the bill perfectly, which is to say that he didn't need his script to make sense because he already believed himself to be the next Fellini. 

The worst part was that the concept really wasn't a visual story. I guess dealing with these challenges was what film school was all about.

On a side note, I recall that my script was a comedy about a guy getting dropped off at the dorms by his parents. Inspired by my own experience in the fall of 2002, the group that shot my screenplay did a sweet job.

Quirks (OR: The Blurbs Behind a Lost Film School Project) is a fresh edit composed entirely of the raw footage that was captured to mini DV from the film we shot it on. My goal here is to give a little glimpse of my own film school history, with some quips about just how random the experience was.

While this project obviously wasn't technically 'lost', it stands to represent the handful of my film experiments that were. At the very least, Quirks is a symbol of just how far I've come since 2004. The 4 years and 3 months since this was shot seems like an incredibly long time ago, largely because of how much more prolific I've become with my filmmaking. It's why I felt it was finally worth sharing. I've grown up a bit I suppose.

Quirks (2009) Directed & Edited by Luke Fandrich
Starring Cam Koroluk / Produced by Thomas Gallagher

Chico Bandito: Episode 4

This latest episode was filmed over the Christmas holidays, and is my first brand new short to debut in 2009. The Chico Bandito series can now be seen in HD directly on my YouTube account, which offers an excellent viewing experience, however, it's still nice to see things unfold here on the blog.

Episode 4 has been the most time consuming of the series to produce, and I expect that trend to continue with the episodes to come. Not only are the schemes getting bigger, but I'm trying new things each time and also trying to work my way along to the big conclusion. Like I've mentioned previously, this is all an exercise in editing, staging and movement as there's no dialogue to explain things throughout. It makes Chico's escape all the more universal. Plus, it's simple, clean and I like the structure of making serials as the concept is already there.

I can't say what's going to come next exactly, but it's sure to be good. In the meantime, enjoy the fourth installment of Chico Bandito!