Showing posts with label Film Fest Stuff. Show all posts
Showing posts with label Film Fest Stuff. Show all posts

Jul 15, 2024

Your Cinema Needs You: RIFFA Nomination

This feels like a full-circle moment. 

Last week the official selections for the 2024 Regina International Film Festival & Awards in Regina, Saskatchewan were announced and there was something particularly special in seeing the notifications about Your Cinema Needs You popping up in my inbox this time.
 
RIFFA Regina International Film Festival Your Cinema Need You






Since February 2024, the feature-length documentary about Canada's oldest, surviving, purpose-built movie theatre has been selected and screened at over 20 international film festivals in 11 countries. In what will likely be one of the last festivals of this tour at the end of August, the reason this selection hits differently is because not so long ago I was an ambitious, but clueless film student at the University of Regina. In fact, I launched "Editing Luke" while living in the dorms on campus at College West. 

RIFFA Regina International Film Festival Your Cinema Need You



If that bit of poetry and nostalgia isn't enough though, it also doesn't hurt that Your Cinema Needs You has picked up a nomination in the Best Documentary (Canadian long form) category at this year's festival - not that I needed much of an excuse for a reunion, but it's a great reason to celebrate all the same! I'd also like to shout out all of my film profs - "See? I wasn't sleeping in class, I was brainstorming for future moments like this!"

RIFFA Regina International Film Festival Your Cinema Need You

RIFFA Regina International Film Festival Your Cinema Need You


Jun 18, 2024

Best Documentary Winner: Your Cinema Needs You

After the official selection and subsequent nomination last month, I received some amazing news this week. Your Cinema Needs You has gone on to win Best Documentary at the 2024 Hong Kong Indie Film Festival in the feature-length category. 

Naturally, I'm so proud of what we've all been able to achieve with this movie, but it's also all icing on the cake at this point. A year ago I wasn't even sure if my premiere in the Monarch was going to be feasible. So, to now have all of these festival stories from the last 4 months, it's broadened the scope of this entire experience.

I've been very hesitant about recapping the film festival experience for Your Cinema Needs You so far, mostly because I'm still very much in the middle of it. But yes, aside from trying to not be too overbearing about it, it's been amazing to see this movie go to so many incredible places.

Most commonly, I've been asked why I think this film has been picked up at so many international festivals and resonated with so many 'seemingly' different audiences over these months. I think it's actually really simple. It's like if I had made a movie about video stores and released it in 2005. People are aware change is on the horizon, but it's not gone yet. There's this communal desire to save something, and everyone's wondering what this experience that the documentary is about might look like in just the next 10 years. 

The Monarch is currently a rare success story in a sea of downsizing, closures, and adaptation. That uncertainty has played into the emotional component of all of this and it's actually a feel good story. I think that positive twist has made all the difference.

Jun 12, 2024

Your Cinema Needs You in Scotland

This month, Your Cinema Needs You is in Edinburgh, Scotland for the Edinburgh Film Awards where it's been nominated in the Best Documentary category. It's been incredible to see this film travel around the world and pick up so many official selections on this ambitious tour. Obviously, I was optimistic when casting such a wide net with my festival submissions for this documentary, but it's truly exceeded all expectations at this point. June will see the continuation of this festival run as details for the Canadian release are still being finalized.  


Jun 5, 2024

Gone Hollywood: Monarch Documentary

Straight from the final screening at the Monarch Theatre on Sunday, Your Cinema Needs You is back in Los Angeles this week at the 2024 Hollywood International Golden Age Film Festival where it's currently a semi-finalist in the Best Documentary category. 

Leave it to an L.A. film festival jury to appreciate a story about saving old cinemas. This international film festival tour for the Monarch documentary still has a handful of undecided submissions due to be reviewed this month, but the tour is set to continue all summer long.



May 19, 2024

New York Film & Cinematography Nomination

In what can only be described as exceeding expectations at this point, Your Cinema Needs You picked up another official selection and film festival nomination last week. This nod comes from the New York Film & Cinematography Awards and feels particularly special after I made a point of searching out the oldest cinema in NYC while on a new series of travel shoots last month.

This is just one more piece of good news as promotions are ramping up again in anticipation of the finale screenings of the documentary back in Medicine Hat's historic Monarch Theatre. As we reach the tail end of this incredible ride, I'm already blown away by how many updates and achievements I'll have to look back on from this single project and this ambitious film festival tour that took the documentary around the world.  


 

May 14, 2024

Front Page News: Your Cinema Needs You

Yesterday I got a text from my mom, and she goes, "I saw you on the front page of today's paper. You really are a big deal." Just totally glossing over the fact that I've been telling her what a big deal I am since at least 2002. 

Your Cinema Needs You Documentary


In all seriousness, I did a quick interview over the phone earlier this week about the final shows of "Your Cinema Needs You" and had no idea it would be front page news. It's as good a time as any to say thank you again to all of the local journalists who have covered the progress of this documentary from the first days of the production to the premiere shows to this festival run. Not only is it fun to share the excitement, but it's played a huge roll in getting this story to spread outside of Medicine Hat, which was always the intended goal. 

Luke Fandrich Filmmaker Documentary

Your Cinema Needs You Documentary



We've been fortunate to see a few of these stories about the doc get picked up nationally over the last 3 years, but to be honest, having the movie make the front page locally just seems so undeniably wholesome. You can read the full story here.

If I haven't said it enough, thank you for all of the support! 

You can grab movie tickets for the finale screenings of Your Cinema Needs You at the Monarch Theatre from May 30 to June 2 here.

Your Cinema Needs You Documentary



May 12, 2024

International Film Festival Tour in Hong Kong

Your Cinema Needs You, my documentary about Medicine Hat's Monarch Theatre, has made it to the Hong Kong Indie Film Festival as part of its ongoing international festival tour. This marks the 15th official selection that the documentary has picked up to date, and the 9th country that the film has screened in since the premiere wrapped back in mid-February.

In addition to the selection, Your Cinema Needs You has progressed into awards contention with the news that it has been chosen as a semi-finalist. While much of this festival run has been surprising, this news from the Hong Kong Indie Film Festival was particularly unexpected. It's amazing how this story has continued to resonate with audiences overseas. 



 

May 8, 2024

Finale Screenings of the Monarch Documentary

CLICK HERE to purchase movie tickets for "Your Cinema Needs You" at the Monarch Theatre playing May 30th through June 2nd. Evening and matinee shows now available!

After more than 2 years in production, a sold out premiere run, and an ongoing international film festival tour through 2024, the feature-length documentary about one of Canada's most underrated cinematic landmarks is returning to the cinema at the heart of this story, the Monarch Theatre in Medicine Hat, Alberta. 



The finale screenings will mark the conclusion of this multi-year project, and are an exclusive opportunity to return to the Monarch Theatre, experience the largely untold history of one of Canada's last surviving cinemas of the silent era from within its auditorium, and be among the first audiences to see "Your Cinema Needs You" while it's still only available in select theatres as part of its international film festival tour. 

Directed by Luke Fandrich, the 2 hour and 15 minute documentary traces the origins of the Monarch Theatre, the rise and fall of its direct competitors, and the cinema's evolution over 112+ years since it first opened its doors on December 21, 1911. "Your Cinema Needs You" features newly uncovered images, artifacts, and exclusive interviews from individuals spanning the Monarch's history, including former usherettes, managers, projectionists, moviegoers, and more! 

Book your tickets now to experience the start of the Monarch Theatre's next chapter.




May 6, 2024

Monarch Theatre: Taking Her Back to 1941

With the Monarch Theatre now wrapped in scaffolding and "Editing Luke was here" still up on the marquee from the premiere shows of "Your Cinema Needs You", I couldn't have come up with a better visual to demonstrate just how much has been willed into action over the last 3 years in a story about saving a movie theatre. 

With "Your Cinema Needs You" now returning to the Monarch Theatre for the final time on May 30 through June 2, people are understandably asking me, "do you really think you can sell more tickets after the 11 sold out shows of the premiere run?" 



Honest answer? I don't know lol. I have no idea how many people may still be interested, if we can get people to come see it again, or if any of the international film festival success will translate into views in the Hat ... but, I can tell you exactly why we're doing it. 

(1.) The success of the documentary is as good for the Monarch Theatre, as the Monarch Theatre's success is good for the documentary. If running a few more shows helps to further fund the ongoing restoration at the Monarch, the closer we get to regular screenings returning and the preservation of this heritage site and landmark in the long run. 

That was always the point of holding out to have this documentary premiere and reopen the Monarch to begin with - to emphasize the value in saving it. People who are now watching the movie at film festivals are just as curious to see how the cinema is succeeding after the fact and one final run of shows is ultimately the narrative bookend that ties all of this effort together. Put simply, it didn't feel right to have the film travel the world and then not bring it back to the cinema that it was about while it was now actively being saved.
 

(2.) As I'm looking to turn the page on this experience and move on to my next project, I have an idea for a brand new documentary that I'd like to try and develop. Instead of crowd-funding or asking for donations, I'll be using my portion of the revenue from these finale screenings of "Your Cinema Needs You" to directly fund a new proposal. So, if you'd like to see another story about an unexplored chapter of Alberta history in the future (which this new idea is), buying a ticket for this finale will go a long way in making that happen. 

So, think about it? 

Tickets go on sale Wednesday, May 8.

May 5, 2024

Is the Documentary Coming Back to the Monarch?

We're going to end this story where it all began.

Since the premiere screenings of Your Cinema Needs You ended at Medicine Hat's Monarch Theatre in mid-February, this feature-length documentary about Canada's oldest surviving cinema has been on a surprisingly successful international film festival tour. 



From Los Angeles to Tokyo to Stockholm, Your Cinema Needs You has picked up over a dozen official selections, nominations, and screenings across 8 countries (to date). With this tour only 50% complete and now expected to run into the summer we began to discuss what we could do back home to keep this momentum going? 

The Monarch 1911 Society is now deep in renovations and the documentary's screening schedule / release plans are only getting more complicated, but we found a window that will work. From May 30 to June 2, Your Cinema Needs You will return to the Monarch Theatre for its final local shows to celebrate this international run and to mark the end of this insane ride that began in June 2021. 

Tickets (which will include evening and matinee shows) will go on sale this Wednesday, May 8. 

Full details to release this week on this site.



Apr 22, 2024

Your Cinema Needs You In Tokyo, Japan

The latest official selection on the spring film festival run for my documentary, Your Cinema Needs You was received this past weekend. The feature documentary about the Monarch Theatre, Canada's oldest surviving cinema, is off to Tokyo, Japan where it has been accepted as part of the Lift-Off series - a collaborative, international festival that takes place in various cities around the world. This edition in Tokyo was my first submission to this film festival series, but I'm excited to see how the film performs with a new international audience. 

More updates to come as Your Cinema Needs You continues its festival tour.


Apr 18, 2024

Another Round of Travel Shoots in New York City

This spring I was back in New York City to add to an already extensive collection of travel shoots around the five boroughs. Making this series particularly memorable was the timing of the solar eclipse and some ongoing discussions about my documentary "Your Cinema Needs You", which inspired me to search out the oldest surviving cinema remaining in NYC.



These latest shoots included new observation decks, popular filming locations, and hotels, but to an even larger extent, a lot more general street photography to round out some of the more specific shoots from past visits. The weather was incredible and I managed to cover a lot more ground than I had planned for which was all a bonus. Expect to see a lot more New York City highlights from this series in the months ahead. 


 

Apr 17, 2024

Festival Nomination: Art Film Spirit Awards

I'm happy to share that while I've been away on my recent travel shoots, "Your Cinema Needs You" picked up another festival nomination on its ongoing film festival world tour. The feature was nominated for Best Documentary at the Art Film Spirit Awards in partnership with Toronto Film Magazine last week, and as you'd imagine, I'm thrilled that the movie has been gaining momentum since this festival run kicked off last month.




Knowing I have a lot of creatives and aspiring filmmakers in my audience, however, I'd also like to share that I received 3 new festival rejections last week too. This isn't unusual. This is what this process looks like. In the same week as you're being grouped in with the "best of" you can simultaneously find that you're "not the right fit" somewhere else. 

I mention this, not only because I think it's good advice, but because I'm still living by the same lessons that I picked up when I was a film student. Making movies is hard. Celebrate your successes. And at the end of the day, trying to achieve something is still more fulfilling than not doing something because you're afraid to fail. I've failed a lot on this documentary, and by all accounts, it's going pretty well!

Thank you all for the ongoing support as the ride continues!

Apr 15, 2024

Finding the Oldest Cinema in New York City

Your Cinema Needs You has made it to NYC where I've been in ongoing discussions about further festival placements and screenings for the documentary this year. Fingers crossed

A few meetings aren't much of a storyline though, so I made my way to Bay Ridge, Brooklyn to search out what is believed to be the oldest, surviving, purpose-built cinema remaining in all 5 boroughs of New York City.

Alpine Cinema Brooklyn New York City Bay Ridge

Alpine Cinema Brooklyn New York City Bay Ridge



This is the Alpine Cinema, originally the Loew's Alpine built in 1921.

The Alpine is a rare holdout in a city that has demolished some incredible structures. And, despite numerous older live theatre venues which have survived, there are but a few relics from the silent era of movies still standing in New York City today. 

Alpine Cinema Brooklyn New York City Bay Ridge



It's one more thing that makes the documentary about the Monarch Theatre in Medicine Hat, Alberta special. The Monarch Theatre (built in 1911) has the oldest surviving New York City cinema beat by a full decade, and needless to say, New York had a bit of a leg up with hundreds and hundreds of cinemas built here over the last century.

It makes you realize that cinemas like the Alpine and the Monarch really are diamonds in the rough. Also, I've become a bit hooked on visiting them in person.

Alpine Cinema Brooklyn New York City Bay Ridge

Alpine Cinema Brooklyn New York City Bay Ridge

Alpine Cinema Brooklyn New York City Bay Ridge

Alpine Cinema Brooklyn New York City Bay Ridge


Mar 31, 2024

Official Selections & A Best Director Nomination

Today happens to be my birthday, and while this would be reason enough to celebrate on any other year, this birthday already feels different because some incredibly positive news about my documentary on the Monarch Theatre has started rolling in over the last few weeks. 

Luke Fandrich Filmmaker


With the spring film festival season only just beginning, notifications of the very first official selections for "Your Cinema Needs You" started showing up in my inbox a couple weeks ago. Previews of the documentary this month brought the story about Canada's oldest surviving cinema to Lisbon, Los Angeles, Dresden, Stockholm, Chicago, and Berlin. If that wasn't enough, I just found out this week that, "Your Cinema Needs You" was shortlisted for two Best Documentary awards, and received a festival nomination for Best Director in the feature documentary category. My chances of winning are slim, but still, a pleasure to be nominated and all that jazz.

On my birthday last year (and for much of 2023) I was deep in post-production and I posted frequently about if this movie was ever going to be finished, if I was going to get the ending I'd been holding out for, if the premiere would actually happen, and if the Monarch Theatre would finally reopen. Honestly, it would've saved me so much stress if I could've predicted that any of this would've worked out quite so well. 

I have a feeling that this is the beginning of a lot more exciting stories to share this year, so let me just say thank you again! Thank you to everyone who was involved in making this, who supported this multi-year project, who contributed to it, who attended the screenings, etc. etc. It's so awesome to see this through so many fresh eyes and to even have to opportunity to share this experience with you. 

What a great day to have cake in the house lol.

Mar 21, 2024

Monarch Documentary: Spring Film Festival Run

A month has passed since "Your Cinema Needs You", my feature-length documentary about Canada's oldest surviving movie theatre, ended its 11-screening sold-out premiere run at Medicine Hat's historic Monarch Theatre. 

Since then, I've been relatively quiet about what's been happening behind the scenes, but with submissions stretching back to January, I'm happy to report that the spring film festival run officially kicked off this week with the first international previews of the documentary taking place in Portugal and Sweden. It seems the feedback was accurate. You don't have to know anything about the Monarch Theatre to recognize countless other cinemas in it, even if they happen to be on the other side of an ocean. 

Monarch Theatre Documentary Film Festival

As an added knock-on effect I've already received several requests from other independent cinemas & film societies across Canada interested in screening the film. It's all promising. Word is spreading and much of it outside of my involvement. 

Because this has been popping up in my inbox a lot too, once we actually get some lasting spring weather in Medicine Hat I think we'll look at potentially running a few more shows at the Monarch Theatre again (if it works within the film festival schedules / rules). That just seems like the place to celebrate this and further support the cinema. Long story short, this is going pretty well so far.

Sep 18, 2020

Clay Documentary Continues To Find New Eyes

One year ago today the documentary I directed Clay, Creativity & the Comeback premiered inside one of the historic factories showcased in the film (Medalta Potteries) and was then released to the public. Resulting in some amazing connections over the last twelve months, the project has now reached hundreds of thousands of people on various platforms across Canada. 

Editing Luke Fandrich Documentary
Clay, Creativity & the Comeback is the story of how the factories and abandoned ruins of a once booming industrial clay district were saved from demolition and renewed through the work of artists, volunteers, and a community with a vision. 

Shot in my hometown of Medicine Hat, Alberta this was a story that I felt echoed one of the challenges that communities across Canada are continually facing. How do you preserve heritage while also adapting historic sites for renewed purposes? What does that even look like? And who are the people that make these visions a reality?

Clay, Creativity & the Comeback is a documentary that captures the first hand stories of many of the individuals directly involved in this decades long transformation - a transformation that lead a collection of crumbling structures to not just be saved or restored, but to become a National Historic Site of Canada that would welcome artists from around the world.

The entire feature length documentary is FREE to watch and has been posted on Editing Luke. View Clay, Creativity & the Comeback here.  

Jul 7, 2016

The Framed Letter On My Wall

I have had this letter framed and hanging on my wall for ten years. Admittedly, there's been some moving around in that time so it hasn't always been the same wall, but the letter is dated July 7, 2006 - exactly ten years ago to the day that I'm writing this. I'll explain exactly what it is and who it's from, but allow me to provide a bit of context.

Ten years ago I was a film student at the University of Regina in Regina, Saskatchewan. At that point in my education I'd become a bit apathetic towards my production classes. With the added stress of feeling like I might not find meaningful work when all was said and done, I began looking for validation in the "real world". For me, I found this in film festivals.

film school letterIn the months preceding the arrival of this letter I had participated in a handful of high-profile film festivals and competitions. I had a short film screen at the Youngcuts International Film Festival in Toronto. I beat out 280 other global entries and was officially selected to screen at Budi2006 (an international digital media festival) in Busan, South Korea. I also participated in a National Film Board of Canada competition where I was selected into the English Top 10. Following weeks of public voting I finished 2nd in the popular vote. 

All of these experiences in the span of a few months completely changed my outlook. I still felt I had a lot to prove, but getting some attention on the back of doing what I loved was hugely motivating. I remember doing a little bit of press, sharing stories for different publications relating to the festivals, and making lots of new contacts in the process. That was the point everything shifted. I wasn't just a film student after that, I'd become a film maker.

A photo posted by Luke Fandrich (@editingluke) on

In retrospect this all seems crazier because of how limited the platforms for personal promotion were at the time. Facebook wasn't a big thing yet, Instagram didn't exist, and YouTube was just emerging as a place to post short videos. It wasn't until the following year that I even started Editing Luke. In a way it was a great learning experience, because having to apply and submit my work to festivals forced me to be even more critical just to get it seen in the first place. 

In the several months following these festivals things died down again, and in the summer of 2006 I was driving a forklift and counting the days before I went back to film school in the fall. Then out of the blue this letter came in the mail, forwarded by the university to my home in Medicine Hat, Alberta. It read:

Dear Luke,
On behalf of the Government of Saskatchewan, I am pleased to congratulate you on your recent success with your student film. 
Through your studies, you have demonstrated outstanding dedication and commitment to media production and studies. This is a significant and well-deserved honour, and you must feel a great sense of pride in seeing your work recognized in such a way. Saskatchewan has a vibrant, exceptionally active TV and film industry, and young achievers such as you will be among the leaders who help grow the industry to even greater heights. 
Once again, congratulations, and best wishes in all your future endeavours. 
Yours sincerely,
Lorne Calvert 
Premier 

Hand-signed and typed on the official letterhead of the Premier of Saskatchewan, it was pretty humbling for someone like myself who was just starting out to get a letter like that. I had received a lot of congratulations and messages surrounding those projects, but none had seemed this formal or succinct. The student film he was referring to was the short I had created for the National Film Board of Canada, and I guess someone picked up on the small bit of national attention I received following the competition. This was also around the same time that Corner Gas was thriving, so the industry in Saskatchewan was booming.

In the end, I've kept this letter on my wall because it felt symbolic from the moment I received it. Proof that you never know who might be paying attention, and validation that the rewards for pursuing your passions can not only be great, but unexpected in the best ways. 

I'm now running my own media production company in Alberta and have come a long way in the last decade. I've also been so fortunate to work on a number of incredible projects with some amazing people. The growth never stops. Curious to know more about what I'm up to now? Explore more here.

Jan 18, 2013

Medicine Hat Student Film Festival

Every year around this time I used to submit my film school projects to various film festivals that caught my attention.  Part of my student experience was about reaching out to different sources for validation and promotion.  It sounds needy, and that's because it was.  I wanted to know that I could find work in video after university, and film festivals proved to be the ideal testing grounds for developing my skills in self promotion.  As it turned out, that was the least of what I got.





The very first film festival I submitted my work to in 2005 was the Student Video Competition portion of the Medicine Hat Film Festival.  It was always a pretty small gathering with no more than 30 or so submissions, but it ended up becoming a testing ground for my work before submitting my projects to bigger student festivals.

I submitted my experimental short, Keys to Existence in the 2005 festival and ended up winning the popular vote for the Audience Choice Award and 2nd place in the video category from the jury vote (the other category was animation).  I still have the small plaques on my wall as a reminder of that competition and what it ultimately lead to. Keys went on to screen at Youngcuts International that year in Toronto, followed up by a digital media festival in South Korea in early 2006.  My success in my hometown festival is what I credit with opening the flood gates to the other venues that I avidly pursued in the few years that followed.


One of the other benefits of the Medicine Hat Film Festival came later in 2007, when Stream Media was one of the key sponsors for the fest.  After returning home to Medicine Hat after university in 2008, I contacted Stream about potential employment opportunities.  My involvement in the festival became my foot in the door, and after a brief interview I was offered a job working alongside a small team to help shoot and edit promotional videos for corporate clients.  It was an amazing opportunity, and the start of a business relationship that I still benefit from today.

I always tell people who ask about my start that I never had a very stable plan after film school, but I had hoped that the film festivals I participated in had helped me cast a big net.  I became really opportunistic, and I jumped at any opportunity that seemed even mildly related to the things I was interested in in the hopes that I could make them even more relevant.  I owe that mindset to the experiences I got from my participation in student film festivals.

The Student Video Competition in the MHFF hasn't run for years now, and it's simply due to lack of sponsorship and organization.  It's a big undertaking, and it does take a lot of work to drum up enough attention to get quality submissions.  It's a shame, because as a student who was just starting out it was a great experience.  Before YouTube, before I ever screened my work at venues outside of Canada, and before I found work as an editor, I shared my work at the MHFF.  

Dec 12, 2012

My Film That Never Was

Looking through old film school notes I came across this proposal I wrote dated February 7, 2007.  It was from my producing class where we had to come up with the idea for a film to pitch.  Not surprisingly, especially because I was working on Elliot at the time, I came up with the idea for a mockumentary centred around a film festival.  The idea clearly still needed some polishing, but there are a few gems in the premise that I'm still entertained by.  Have a look at what I submitted.   
  


Working Title:  Film Fest

Genre:  Comedy / Mockumentary

Length:  90 minute feature

Poster Line:  Now Accepting Submissions.      

Meets:  Best in Show meets Entourage

Concept:

Film Fest is a feature length mockumentary about a man named Charlie taking control of an elaborate and outlandish film festival, created by his dead Hollywood producing dad, just one year after its disastrous debut.  With the festival in shambles and a town full of irritated locals, Charlie picks up where his dad left off (with a documentary crew in tow) and works with an assembled team of mismatched experts to revamp Silver Springs, BC from the ruins of a failed fest, to a celebrity saturated,  respected and acclaimed celluloid circus.  For the sake of his father's legacy and his own ambition to make the festival work, Charlie must confront the death of his father head on as he uncovers the affects the festival has had on the town and the previous attendees.  Film Fest is an offbeat character piece about the best and worst aspects of pop culture and the entertainment industry, while paying homage to the people and drama, in the one place where everything comes to fruition; the film festival.
 
Story:

The Silver Springs Film Festival opened with much excitement, but failed due to the excessive and unbelievable upgrades made by Warner Garber, the founder.  Fast forward one year.

Warner Garber, while talking about his new festival upgrades for the 2nd Silver Springs Fest, dies during an interview with a documentary film crew.  In his eighties, he was losing his mind, but to everyone else it seemed that he embodied the grand imagination of a true eccentric.  Charlie, Warner’s son, knew how passionate his dad was about the fest.  With no real direction of his own, he adopts his dad‘s position as head organizer of the festival, along with the team of assembled industry experts, the documentary crew and the shambles of the failed festival from a year earlier.

Charlie and his team quickly move out to Silver Springs, BC and set up camp.  Initially the town’s reception is cold based on the previous treatment by the festival organizers, but monetary persuasion and mingling gets things underway.  Charlie frequently confides in the camera in response to his indecision, especially when conflict with his team arises.  Meanwhile, the festival undergoes massive correction, altering Warner Garbers original, but hilariously absurd, vision.  Zeppelins, wild animals, underwater theatres and such, are modified to preserve some of the insanity while adding much needed practicality.  Various comedic meetings and character clashes bring us to this point.

The following spring the festival is really coming together.  The small town of Silver Springs, BC, which is nestled along the Rockies, is undergoing upgrades (with the help of some of Warner Garbers old rich friends, and the absurd blackmail the team has acquired about them).  Charlie is still at the helm and we see clips from news spots, commercials, celebrity endorsements, and the towns people reacting to the revamped fest.  There is initial doubt about the festivals reach, and comparative draw to other major venues, but soon the submissions, both big and small, start coming in and it seems the festival has real potential.  The unique festival concept, which teeters on the edge of being a pop culture amusement park, garners outside attention.   

For the last half of the film, the festival is officially in swing.  Charlie has done a remarkable job, but he underestimates the industry heavyweights and celebs as the town, almost instantly, becomes overrun by them.  This is where the mockumentary reaches its comedic climax as the numerous groups and their attached films premiere.  We are witness to celebrity reactions, critics feedback, over the top art flicks, studio head clashes, Warner Garbers old friends returning to take some claim of the success, the townsfolk rising up, Charlie coming to terms with his fathers death and the modification of his dream, and a mishmash of regurgitated pop culture references by anyone and everyone in the small town.  The event takes a back seat here, and it’s all about the people at this point. 

The various filmmakers and celebrities that appear for the festival have delicate supporting roles.  Their characters really give shape to the festival, but none of them are around for too long to be of major consequence.  Charlie remains central, with reference to Warners contribution and the team which has made the festival possible.  In the conclusion, we see the chaos melt off of Silver Springs and Charlie personally (and perhaps seriously for the first time) revisit the death of his dad.  Charlie sits in a room with a view of the town behind him and is surrounded by the countless papers and sketches his father made.  In a spontaneous moment he rushes to the roof of the building and throws the papers off, which end up flying across the town.  We then see his team commenting that he’s lost his mind just like his father, and close on a group of townspeople sneering at Charlie as copies of the original festival idea shower the town.  Charlie is left feeling satisfied with his decision, while reflecting on the fact that were it not for his father’s over the top vision, he wouldn’t be where he is.


Characters:
             
Charlie Garber - A 35yr old struggling actor.  He’s ambitious, grounded; your typical nice guy.  Still he tends to find himself in the middle of other people’s mistakes.  Despite his rocky past, he shines and finds direction in pulling his father’s film festival together.

Warner Garber - He’s flaky and off his rocker, but as an elaborate dreamer and a former Hollywood producer heavyweight he has the makings of a true eccentric.  Sadly, he dies pretty quick, but lives on in old footage and his festival plans that are shown throughout the film.

Nancy Monroe - She’s a designer and conceptualist in her late twenties.  Charlie calls on her to help establish a theme for the festival, and her bubbly personality and high energy are infectious.  Nancy is also aware of the power she has over Charlie and the sexual tension between them.

Kenneth Heinsman - He’s a staunch 60yr old money man, and although he’s great at running numbers, his elitist homosexual attitude creates conflict.  He always dreamed of being a celebrity stylist, but has no skill in this area.  Still it hasn’t kept him from trying, and throwing in bad fashion advice wherever he can.

Emma Chang - A 40yr old publicist, Emma is intense, but wickedly efficient.  She has an incredible talent for getting people to open up and therefore, has a valuable repertoire of industry secrets.  Many of which are used to ‘encourage’ Warner Garber’s old rich friends to share some money.

Sam Murphy - A local of Silver Springs, he assists in acclimatizing the town to the fest.  He doesn’t really understand the industry jargon, and so is easily relatable to outsiders.  He puts his reputation on the line to insist that the fest is good news for the town.

Blake Allen - He’s Charlie’s assistant, and despite his good nature, he is often overwhelmed by the things Charlie neglects.  He is also on the frontline with Sam in dealing with the demands of the townspeople. 

Norton Gash -  He’s a virtually unknown director, but his film Abundance becomes a breakout success at the festival.  Gash is a nervous and jittery man, and the public attention causes him grief despite all the praise.  He turns to Charlie for solace.

Vivian Terracini -  She’s the rising star from Abundance and embodies the worst aspects of modern celebrity.

Adrian Ulrich - He’s the rising star from Abundance and embodies the best aspects of modern celebrity. 

Ed Fink - He was an old friend of Warner Garber’s, and owns his own production studio.  As a businessman, he’s come to the fest looking to acquire distribution rights and give some unknowns their big breaks.  

Intended Audience:  

Film Fest should have wide comedic appeal between men and women aged 14 to whatever.  The target is those who are educated or interested in pop culture and the entertainment industry.  

Tone & Style:

The tone of the film is light and snappy.  Things move relatively quickly between characters and events.  Everything is shot like a documentary, but there are contrasting moments.  For instance, when the festival starts and things are hectic, the documentary style can capture the manic pace well and put the audience right in the event.  At the same time, in serious moments or screenings, or conversations, the look can be focused and clean (fly on the wall even).  Overall, the look is to be vibrant, colourful, and polished.  It should complement the diversity and the energy that a festival represents and the over-the-top world of film and the characters within it.

Website & Promotion:

Possible ideas for the website include sticking with the whole mockumentary theme and promoting the film as though the festival is really taking place.  There will be bios of the numerous characters, additional clips from the documentary in production, and examples of Warner Garber’s original and over-the-top vision for the festival.  The site could also take the Corner Gas approach, and provide interactive access to the fake festival town of Silver Springs, BC.  Site involvement could even go as far as holding an online short film festival, where users could upload and share their work.  The entries would be treated as submissions to the Silver Springs Fest and viewers could vote on their favourites.  I think Film Fest lends itself to a wide amount of interactivity with its viewers, and the website would certainly reflect this.